A casa
Pedras escolhidas uma a uma
O ponto de partida
Corah builds its pieces around colored stones — ruby, sapphire, emerald, Paraíba tourmaline, aquamarine — set in white gold and diamonds. Each jewel exists once: there is no line and nothing is reordered.
That is why every piece has a page of its own, with close photography and a record of what can be stated from looking at it: the cut, the setting, and how the mount is built.
01 · Seleção
A escolha da pedra
A colored stone cannot be bought on specification. Two sapphires with identical descriptions can behave entirely differently in the light: one opens, the other closes. The choice is made by eye, stone by stone.
That choice settles everything after it: how many diamonds go around, whether the mount rides high or sits low, whether the shank is plain or set. None of it is decided before the stone is in hand.
02 · Montagem
Ouro branco e diamantes
White gold is a working choice, not a fashionable one: it disappears behind the stones. Where there is color, the metal steps back so it does not interfere with the tone; where a piece is diamond alone, it becomes invisible structure between the settings.
Open galleries beneath the center stones, close setting through the baguettes, link-by-link articulation in the necklaces. These are details nobody sees from across a room, and they decide entirely how a jewel behaves once it is worn.
03 · Atendimento
Uma peça por vez
Ring size, chain length, timing and terms are settled piece by piece, alongside the carat weight and certification of that particular stone.
The collection is small and it changes, so availability is confirmed before anything else.
Passo a passo
Como a compra acontece
- You go through the collection and open the page of the piece that caught your eye.
- You ask from there — the contact button carries the reference with it.
- We confirm availability and send carat weight, measurements, certification and price.
- Ring sizing or chain length, timing and terms are settled in the same conversation.
A fotografia
Cada joia, de perto e no corpo
Each piece is photographed close first, to show the cut and the setting, and then on the body, to show scale and how it falls.
Enquiries
Speak with us
If you already know what you are after, name the piece. If you do not, tell us the occasion and the person — the selection starts there.